This is the first song that I heard the Gufeng style, when I was sophomore.
When I was in high school, I was young, but I was not very interested in the love songs. I like to listen to some lyricist culture, flavorful songs, such as Chinese style. Like the “Lanting Preface” performed by Jay Chou on the Spring Festival Gala of the same year, Vae and Silence, both of whom were very popular in the class, also made me quite amazing Li Yugang – Mr. Yu. At that time, it was when Vae became popular that his debut was known as Little Jay Chou. Almost everyone in our class likes to listen to his songs.
Like to listen to Chinese style songs (let alone count it), on the one hand I as a science student, has always had a culture of youth (Wen Qing is a derogatory term, thank you), or artistry it. I think it is bad to have a purely rational world where science and science operate without humanistic concern. I have been very interested in historical stories, cultural allusions and the like. But my head, reading is read without seek very deep understanding. The context of China’s five thousand years is slightly known, and most of the stories only remember the plot. On the other hand, it is the lyrics of these half literary and half vernacular Chinese that can be used directly in the composition. Unlike poetry that requires rhyming, and more than the vernacular some biger, can be able to steal a bit of laziness.
I know the Gufng songs, is a commentary essay class. At that time there was a small composition, material is used the “Disaster of the Phoenix” by He Tu, although not heard the song, but a few words, the series the Phoenix Nirvana, Sanzu no Kawa, Manjusaka etc. intention, constitutes a distinct picture, paid out a regression of love not emotion. When I surf the Internet to find songs, I did not know what it was called Gufeng song. (Do not ask me why I hear the song of the He Tu will find Jessi’s, maybe this is the fate. And both of them debut very early.), At that time I heard it felt good, went to find a similar song, they found Jessi’s song. At that time I heard the first song, is the first “Fenghua burn – interphalangeal sand”.Fenghua Burnout – interphalangeal sand
Original singing:Jessi
lyricist:Yanhuapubu
Composer:Jessi
Arranger:Huiyuan Qiong
This song, first of all on the lyrics, let me shine. Firstly, it was to hear the song is mostly related to love, narrative the pain of loss. And this song also convey a sense of love without regret, but there is a pleasure in Jianghu. Secondly, after the song of the half, the lyrics are not the same! At that time a lot of popular songs, often good, but the latter half of the first half repeated sublimation. Not to say that this is not good, but to some extent also reflects the limited level of lyricist. Because at the time of the pop music (including the ancient style of the circle) mostly multi-job. Lyric composition music by the same person to complete. For the traditional style of the track, can have half a good quality lyrics is very good. And this song, compared to the popular Chinese vernacular, also joined a large number of allusions (of course, add allusions indiscriminately is also the reason why early Gufeng songs have been criticized, but this may be because it is the storyline song, so the narrative is considered smooth).
Of course, this song and the album of the same name “in the name of the sword” are “tower of listening snow” series of novels tribute. It may also be one of the reasons for the unlimited inspiration and material for songwriting. Although I had never read the novel (I was aware of the fact that it might be a tribute to the story after I heard it “In the name of the sword (Blood Rose)”), I can still feel the song The feelings expressed.
Copywriting:
White clothes, such as snow, had been in Jianghu, overwhelming, pointing the fierce country, but always fate of its joke.
Xi Ying broadsword, how many had feared martial arts hero, but not a moment’s true feelings.
Each other’s suspicion, injury, are like the sand between the fingers of the wind away, no regrets and loved ones went to Huang Quan.
In the end only this one green grass, a solitary soul accompanied by silence under the loess and loess
——With this song, Cang Yue’s “interphalangeal sand”
歌词节选
I have been chasing
The sky had also brandished a knife and cut
Who battle the world, once the passion, unrestrained
My melancholy brow
Hide a flute
Still fluttering in the depths of the soul
Once pride sparse mad, but also arrived in the heart wandering. One of the contrast, people sigh.
Sand flying fingertip
Like you leave in a hurry
The grave buried.
Sand to grasp the hand, the greater the loss but the loss of the faster. Throughout her life, or not. The lyrics at the end of this title. Loess from the tomb, cover the conclusion. The so-called “grudges buried” does not matter, probably a helpless bar.
